1998 HIGHLIGHTS
Throughout the year, I have been lucky enough to try wines that provide wonderful experiences. More often than not, friends spot something exciting and share with me the discovery.
When I have a dinner party, I take great care with the menu and accordingly, the wine selection. However, a weakness of mine is to sometimes let dessert fall by the wayside. I can clearly remember when a friend brought over a bottle of '90 Suidaraut, which displayed intensity masked by sweet fruit. In spite of my owning several cases of Sauternes and Barsac, I had forgotten how voluptuous and enticing sweet wine could be. 1990 was an excellent year which in this particular case exhibited a strong presence of botrytis cinerea (the fungus or "noble rot" that imparts the unique taste). It also stood up very well to the tropical fruit dessert I made. A lovely wine, for which I would like to thank my friend Drew for sharing it with me.
We may not drink sweet wines as often as others, but in some ways they provide more pleasure. An Australian liqueur of immense proportions is Chambers Muscat. This wine differs completely from the Sauternes in both the wine making process and its flavors. Sauternes invoke apricots and citrus while the Muscat invites roasted nuts - even the color is akin to a dark sherry. Sometimes I am harsh on the uniform flavors of Australian reds, since they are forward and bold in nature. Then again, this quality is what makes them appealing to many people. However, with the power that sweetness gives a wine, Chambers has been able to harness the delicacy needed for an after dinner liqueur. I might also add at a reasonable price of $15/375 ml.
Thanks Drew (again).
By pure chance at the local supermarket they had just put out for sale a newcomer to the Spanish wine scene, '95 Val Ribeno from Bodegas Rodero. The wine is from Ribera del Duero, the area of Pesquera and Vega Sicilia fame. So I gave it a whirl. To my complete surprise it possessed an incredible dark Bing cherry color and packed a nose full of ripe fruit resonant of blackberries. Equally it had firm ripe tannins underneath to give it some ageability and structure, but you would be hard pressed not to enjoy the wine right away. I was later pleased to see that it had received a very favorable review in Steve Tanzer's International Wine Cellar. However, we should never go strictly off of rating/reviews, because each of us has to decide for ourselves if a wine is good or not.
Every now and then I get a great surprise from something I bought in prior years, but never had any expectations from. A 1991 Chambolle Musigny 1er Cru Gruenchers from Domaine Dujac is such an example. 1991 was not a standout year in Burgundy, however, Dujac is one of the best producers in the region (and my favorite). In leaner years a reliable house can provide some of the best values. Here we had a wine that was at its absolute peak. The nose was vibrant with telltale Pinot Noir, the color was a beautiful shade of light cherry. On entry the fruit was perfectly evident and in balance with acidity. It had a full and harmonious structure, and a length that absolutely amazed me for a less than perfect year. These "finds" are what makes wine so enjoyable!
Another cellar discovery was a 1970 Bonnes Mares from Bertheau. However, this time it came from my father's collection. Here was a bottle that was neglected over the last 20 years, but majestically ageing. The color had amber edges that soften with a hint of red in the center. The most distinctive and intoxicating part was once again the nose. It resonated of fragrant dried fruits, with a hint of smokehouse, a quality that I can only
term as a real class wine. I can't begin to emphasize the power that Pinot Noir has to mesmerise. This is clearly where Bordeaux loses out to Burgundy. Age had mellowed the tannins, but not completely overpowered the fruit. This is one of those rare examples where age brought all these elements into
balance and made me grateful that my father never kept a proper inventory. Thanks Dad.
Since I am on the subject of Pinot Noir, I should point out one of the best values in every harvest -- Leroy Bourgogne. I have been able to taste a few bottles of the 1995 and have never been disappointed. It has excellent balance, great bouquet and enough body to give you an evening of pleasure. At $17/btl you will not be disappointed. I have not tried the 1996 but a reader sent in this assessment: I would describe this wine as silky in
texture with a bouquet of red fruit and flowers. It is medium bodied with cherry and strawberry flavors. A wine to be drunk now. Since 1996 is being touted as one of the great vintages of Burgundy, you might want to get your hands on some. Thanks Francis Ferrer.
We tend to always remember the best examples of a cellar collection, but sometimes we lose track of bottles. An example would be a 1978 Ch Leoville Las Cases, that I purchased sometime ago and the result was less than perfect. While it was drinkable, all evidence pointed to the fact that it was finally succumbing to age. The color was excellent, but the fruit had turned to tar, leaving you with a very austere taste. The wine had simply
lost its beauty. Leoville is a house that makes wines to last, however, in this particular case I have never had a bottle of the '78 with great enjoyment. This makes me suspect of the storage conditions prior to my obtaining the wine. Whatever the reason, we have to keep in mind the limitations of the vintage and remember that wines eventually die. In this particular case 20 years is good long life. The sad part is that I still
have 6 bottles. Sometimes, it's not all fun.
Recently I was treated to a wonderful doubleheader dinner: '89 Ch Montrose and '89 Ch Latour! It is strange, by looking at the year the wines have almost a decade under their belts, but on entry you realise they are still infants. There is no question on the vintage possessing a dramatic amount of fruit that is supported with ripe tannins. I have never been one to judge young wines well, usually the tannins overpower me to the point of losing focus. However, I think in vintages like 1989 (as in 1982), the evaluation process is assisted greatly by the ripeness of the tannins. This allows the wine to develop and the fruit to stay in balance with the tannins. The special note I want to make is in how we have learned from the mistakes of a few reviewers in the '82 vintage. The wines were so fat and luscious from the onset that no one thought they would age well. Not that '89 is the same as '82, but some similar qualities tell me they will age gracefully for years to come (if you are not tempted before). Thanks Randi for the special treat.
Keeping line with the 1989 theme I recently had two friends over to give the vintage more attention. We started out with a lesser Bordeaux Ch Poujeaux and then moved onto a Ch Talbot. The Poujeaux was the most confusing to me because it had a wonderfully developed nose, hinting at mature fruit with a touch of leather. Yet upon entry, the wine became compartmentalised. The flavors rolled into different corners of the mouth, not giving a complete harmonious impression. However, it was still an enjoyable wine, just not one that pulled all its weight. Where as the Talbot is of a different breed (classification to boot), the depth of color is the most extraordinary element - dark edges with an even deeper purple hue. Combine this with a nose that is floral in quality and you have a wine that is on the road to reaching its pinnacle.
Just when I thought I was finished writing, a colleague gave me a bottle of '98 Beaujolais Nouveaux (Georges Duboeuf). Here is a wine that I have never considered a serious effort. In general, I still think B.N. is the greatest marketing scam pulled over the public's eye, but they don't seem to mind. Is B.N. nothing more than fermented grapefruit juice? Well, it is a little more than that. Actually, I was surprised by the integrity of the wine making. The color is bright purple, with fading lavender edges and a nose that brings back all too familiar memories of my failed attempts at garage wine making in Chicago. On entry, the wine fills your mouth with a basket of fruits: blackberries, blueberries, cherry, you name it. Frankly this is because it has nothing else to offer the drinker at this stage. Was it fun
for me - No. Should we consider it a serious effort in wine making - No. Then again, it was never meant to be. If you consider B.N. a building block in the school of wine education, then get out of Kindergarten as soon as possible, high school is around the corner. Thanks Richard - I think. -/jm_12.07.98
FUTURE REVIEWS
I will not follow any form of geographical order, country guide, or grape variety in my writing. As I live in Tokyo, wines available here are not necessarily the same ones at U.S. retail outlets. I will focus on past experiences that have developed well and could provide an excellent example of opportunities in the market. Call it relative value drinking. I am also open to ideas of how to structure the information. I stress that I am not expert, just a passionate drinker... Enjoy. -/jm_02.18.98