Polish Movie Reviews
by Richard J. Brzostek
My Polish film reviews in the following years: 1940-1949, 1950-1959, 1960-1969, 1970-1979, 1980-1989, 1990-1999, 2000-2009.
Guys Don't Cry (Chlopaki Nie Placza)
(2000) Director: Olaf Lubaszenko;
"Boy's Don't Cry" (Chlopaki Nie Placza) is essentially a comedy about gangsters. These range from real tough guys, to imitations or posers, who don't stand a chance to make it in the real world. A violinist (Maciej Stuhr) and his friends accidentally complicate the lives of some local gangsters, and then must figure out how to regain their normal lives.
I laughed throughout the entire film, and feel it ranks among the funniest Polish comedies ever made. What makes "Boy's Don't Cry" successful is how the film augments the humor with excellent action scenes. The action-packed opening sequence is one of the best I've ever seen, and from the very beginning to end, this film had my total attention.
Olaf Lubaszenko did a remarkable job directing "Boy's Don't Cry" and, I feel, created a modern Polish classic. Although the humor can be a bit subjective, and I can't guarantee everyone will find it funny, I give this film my highest recommendation for someone interested in great Polish comedy. There really isn't a dull moment; and well worth the price of ownership.
Pan Tadeusz
(2000) Director: Andrzej Wajda;
"Pan Tadeusz" is a dramatic historical film, based on an epic poem by Adam Mickiewicz. As the film is based on a poem, the characters often speak in rhyme, and often a very proper sounding Polish. "Pan Tadeusz" is in Polish, but many of the words used in the film are not widely used today, so the English subtitles are most helpful. The film is set in the early 19th century, in the years just before Napoleon's invasion of Russia in 1812. The film is directed by one of Poland's most renowned directors, Andrzej Wajda, and is cast with many of Poland's best actors, such as Daniel Olbrychski.
Tadeusz Soplica (Michal Zebrowski) returns from his studies to his uncle's manor in Lithuania. At approximately the same time, Count Horeszko (Marek Kondrat) returns from his travels of Europe to find his family's castle in disrepair and under ownership dispute by his neighbor Judge Soplica (Andrzej Seweryn). Staying at the Soplica estate is Telimena (Grazyna Szapolowska), whom both Tadeusz and Count Horeszko desire.
Telemenia is the guardian of Zosia, a young woman that quickly gains the attention of Tadeusz. Tadeusz's uncle, Judge Soplica, hopes to play matchmaker and marry Tadeusz with Zosia. As she is of Horeszko blood, the marriage would settle the feud between the two warring families.
A monk named Robak (Boguslaw Linda) provides hope for the people whose land once was free and part of Poland by spreading rumors of Napoleon's arrival. Before this time, Poland and Lithuania were united as one country for hundreds of years. Napoleon is viewed as a potential savior of Poland, as he would combat the Russians who have oppressed the Poles. Robak also plays a major role in the matchmaking of Tadeusz and Zosia, as his intentions are to unite the people, and this would stop the fighting over the old Horeszko castle.
"Pan Tadeusz" is a fantastic historical film, as it shows some of the history of Poland and serves as a point of reflection for its people. There are glimpses of Napoleonic armies marching to their doom, but the fighting scenes of the film take place between the Poles and Russians. After fighting, those involved became exiles in their own land, as they were unsafe from the future Russians that were sure to come. The film also has romance, as Tadeusz is smitten by Zosia's beauty. From one of Poland's most distinguished directors, comes one of Poland's best known poems, cast with several of Poland's best actors -- "Pan Tadeusz" is a modern Polish masterpiece.
It's Me, the Thief (To Ja, Zlodziej)
(2000) Director: Jacek Bromski;
Jacek Bromski's "To Ja, Zlodziej" (It's Me, the Thief) is a film about two young boys. One boy has parents who are drunks while the other boy has a whore for a mom. The story revolves around the older boy, who hopes to impress a local mob boss by stealing a car owned by a famous singer.
Comparing "To Ja, Zlodziej" to Bromski's other movies, this one is not my favorite. This has to do more with the storyline than anything else. The boys live in a slum where they see many people drink their days away. It is not uncommon for the people they are connected with to steal and engage in fornication.
Although the movie touches upon many themes, a prominent and reoccurring one has to do with sexuality/promiscuity. An example of this is the boy's boss (Janusz Gajos) and the owner of the car he plans to steal (Daniel Olbrychski) both have affairs. This message is best summed up by the younger boy's mother, who works as a prostitute, when she says, "All guys are the same, old or young."
Overall, the film is ok and well acted. Its two most famous actors are Gajos and Olbrychski, who are both renowned in Polish cinema. Compared to the likes of Bromski's "Kariera Nikosia Dyzmy" and "U Pana Boga za piecem," I don't think "To Ja, Zlodziej" is his best work, however, it is still worth watching and provides some entertainment.
Avalon
(2001) Director: Mamoru Oshii;
"Avalon" is a science fiction film, which are not too common for Polish films. "Avalon" takes place in a slightly depressing, near-future world. The film is full of symbolism, and not surprisingly Arthurian legend references. The film itself is very artistic and philosophical. I think I understood the meaning of "Avalon," but there was much that left me wondering.
Avalon is a virtual reality war game that is illegal, but a source of entertainment and even income for its players. Ash is a young woman who plays the leading role in this film. She is one of the best players of Avalon there is, and she aims to reach its highest levels. Nevertheless, what she finds surprises her. At this point, the film makes us wonder on the nature of reality. However, I thought the ending was vague and leaves one without resolution.
The director, Mamoru Oshii, is Japanese and the special effects are Japanese, but because the film is spoken in Polish and has Polish actors, I think of it as a Polish film. "Avalon" (2000) is 107 minutes long. This DVD can be watched in Polish with English subtitles, in English, or in French. "Avalon" is definitely an usual film compared to both Polish and American films.
Hi, Tereska (Czesc, Tereska)
(2001) Director: Robert Glinski;
Hi, Tereska (Czesc, Tereska) is a compelling drama about peer pressure, fitting in and lost innocence. This 2001 film is beautifully shot in black and white, which gives the movie a different feeling that works well. Tereska is a young teenager with ambitions to be a fashion designer so her parents enroll her in a technical school. Tereska wants to fit in at her new school but her life takes a turn when she befriends Renata.
Renata is a manipulator and a bully. Renata is the type of person who leads the conversation with her questions and tripping someone up with them gives her a kick. Tereska's friendship with Renata brings about all sorts of trouble; call it peer pressure or a desire to fit in, Tereska begins smoking, drinking and fooling around with the boys. To say Renata is corrupting the morals of Tereska would sum it up nicely.
We are reminded that growing up isn't so easy in this movie. Even the adults in Tereska's life can be viewed with some suspicion of not having her interests in mind. Her mother has a man named Edek (Zbigniew Zamachowski), who is in a wheel chair, watch her one time when she was younger. Tereska visits Edek from time to time but he is a pervert that always asks her to kiss him. He offers her cigarettes and booze but wants a kiss in return.
The story is very sad but is one that happens in just about every town in the world every year more times than I could guess. I don't think the movie glamorizes life spiraling out of control but gives the viewer a chance to see the effects of choices that may not be so wise. It doesn't spare us the sordid parts of life and perhaps the point of the movie is to do just that. The story is a top rate drama but one that may make some uncomfortable.
The Naked (Golasy)
(2001) Director: Witold Swietnicki ;
The Naked (Golasy) is very different and there is something very shocking about it. All of the people in this movie are naked. This includes both women and men -- young, old, fat and lean. It is a story about office workers and their usual and unusual daily activities. All of the events in this Polish film take place in one day, mostly in a one-room office.
The Naked creates a strong feeling like you are watching theater. Considering that this is the first film all the actors stared in, I was impressed that they created this feeling. Even though they are amateurs, they didnt appear to be shy or distracted by each others nudity. The viewer, on the other hand, will have quite a hard time not being distracted.
Even though everyone in this film is naked, there is no sex. They act like each others nudity is normal and may comment on anothers appearance, but their comments are not erotic. In a way, The Naked comes closer to resemble art than it does pornography because it takes this approach.
The women in the office dont do much real work but chatter and gossip away all day. A few women and several men, who bring the drama with them, visit our hard working office girls. The events that ensue range from the mundane to the ridiculous but most of what they do is funny.
I have to give The Naked a lot of credit for being original. Its a very funny movie that made my face hurt from laughing and smiling so much. If you are looking for something very different, enjoy the theater or ever wondered what the world would look like if no one wore clothes, then The Naked is for you. All in all, it is a very shocking film filled with a lot of humor.
Reich
(2001) Director: Wladyslaw Pasikowski;
"Reich" (2001) is an intense action film by Wladyslaw Pasikowski, famous for directing the cult hit "Psy." We step into a world of organized crime with "Reich," where things get bloody on a regular basis.
The story is about two hit men, Alex (Boguslaw Linda) and Andre (Miroslaw Baka). The actors make a great pair. Linda plays a great "tough guy" in several Polish films and Baka is none other than the killer in Kieslowski's "A Short Film About Killing." The pair shows little mercy and use violent force to get their way.
The duo gets ordered to spend some time in a small town waiting further orders. While there, they raise the furry of the local mobsters and spend their free time picking up women. "Reich" is more than just a "shoot them up" film. Our tough guys contemplate living a new life and finding love with the new women they met. The movie has a few plot twists, which makes the story less predictable and more suspenseful.
Although "Reich" is not exactly like Pasikowski's other action films, it does have a similar feeling. Get ready for some action, as wherever they venture, things happen.
Quo Vadis?
(2001) Director: Jerzy Kawalerowicz;
"Quo Vadis" is a grand historical epic based on the novel by Henryk Sienkiewicz running four and a half hours in length. Although this is long by most standards, it really does allow the plot to fully develop and be brought to a conclusion. We get a glimpse of many parts of life in Rome, from wild drunken parties with plenty of topless women, a gruesome close up of lions eating Christians in the coliseum, and even the burning of Rome itself.
The story has several elements that are all dovetail each other. We have a young patrician named Marcus Vinicius (Pawel Delag) who falls in love with Lygia (Magdalena Mielcarz), a Christian woman. At first she is not interested in him, but soon returns his love. Petronius (Boguslaw Linda), who is one of Nero's advisors, tries to help him physically capture his love as he has influence with Nero. Matters are complicated as Nero is out of control and is most concerned about his insane self-interests, which leads to trouble for many others.
Boguslaw Linda was one of the best performers in the film. As he was the middleman between Marcus and the crazed Nero, his position from the start was precarious. He portrayed the patrician who was calm and collected in moments of confusion, sincere with his feelings, and often had witty remarks. Linda's acting was fantastic.
"Quo Vadis" is perfect for those who enjoy historic epics. Overall, I thought the underlying message was about forgiveness and love, something we can all relate to and topics that would not hurt us to reflect upon. With nearly all of its characters experiencing moments of triumph and suffering, we witness and experience a wide range of emotions in this story that takes place about two thousand years ago.
Money Isn't Everything (Pieniadze To Nie Wszystko)
(2001) Director: Juliusz Machulski;
Pieniadze to Nie Wszystko (Money isn't Everything) is a comedy about capitalism but as the title suggests, there is more to life than money. The co-owners of a successful wine company have conflict when Tomasz Adamczyk (Marek Kondrat) wants to leave the business. His wife Natalia (Magdalena Wojcik) isn't too happy with the idea and neither is her brother Wieslaw Turkot (Andrzej Chyra). Adamczyk has a car accident while traveling through the countryside and the villagers there see him as an opportunity. At first they think they can ransom him, but once they find out his brother-in-law doesn't want to pay, they want him to come up with his own ransom money. As you can image, the story does get a little ridiculous but that is what makes it fun.
What gives the movie its special charm and a lot of its humor is the country bumpkins. They spend most of their day drinking and sitting on benches - they philosophize, they talk politics, and most of all, they would want to be rich but don't know how to do it. The villagers actually do not have much ambition, but with the right leadership they could accomplish a lot. Their beliefs and mannerisms are hilarious.
Pieniadze to Nie Wszystko is a great comedy by Juliusz Malchulski. Although it isn't one of his best known, it is one that is very fun and nearly resembles a feel-good movie. You'll see for yourself that money isn't everything but everything without money is nothing. Malchulski's specialty is comedy and has the distinction of having one of his movies, Seksmisja, being in the top ten all time Polish box office hits. If you want to take a break from the serious movies, this one provides great comic relief.
In Desert and Wilderness (W Pustyni i w Puszczy)
(2001) Director: Gavin Hood;
In Desert and Wilderness (W Pustyni i w Puszczy) is a great family film based on the novel by Henryk Sienkiewicz. Set in the 19th Century, the movie is filled with adventures in the picturesque landscapes of the African continent. It is a big budget production with great costumes, compelling music and a feel good Disney-like story.
A Polish teenager named Stas and a girl named Nel both have fathers that are engineers working on the Suez Canal. Because of an Islamic holy war, the children are betrayed and kidnapped by their own servant. The children are to be traded in exchange for Islamic captives held by the British. Managing to escape with a young African man and woman, they trek across the continent. Their grand adventure is filled with many obstacles and perils as they quest to return to their fathers.
Compared to Polish cinema in general, what distinguishes "In Desert and Wilderness" is its family friendly nature. Even by American standards, I would say it is rated "PG," something that is not always the case due to cultural differences in what is appropriate for younger viewers. The film does have some mild violence, but it is done in a way that any gruesomeness in kept to a minimum by taking place off-camera. The film may appeal most to children, but adults may find it entertaining as well.
This DVD has several language options. One can watch it in English, Polish or the original audio (Polish and Arabic). English subtitles are also available to help understand the original audio if one doesn't understand those languages but wants to enjoy it in that format. Overall, In Desert and Wilderness is probably one of the best Polish family-friendly films you can get and these language options make it easier for more people to enjoy it.
A Man's Thing (Meska Sprawa)
(2001) Director: Slawomir Fabicki;
A Man's Thing (Meska Sprawa) is a short 26-minute drama about an abused boy. Bartek has a few problems at school and his father thinks physically punishing him is the answer. He doesn't have it any better at school, as his soccer coach is a bit rough and pushy. His only solace is an old dog at the animal shelter that is scheduled to be put to sleep.
This movie lets us reflect on a tough issue. Is Bartek just a troublemaker kid or does his situation make him one? His mother looks the other way, his younger brother can't do anything to help, and the kids at school are a wild bunch too, leaving him nowhere to turn.
Meska Sprawa reminds me of Czesc Tereska for a few reasons. Both were made in 2001, are in black and white, and are strong drams that examine the darker side of life. Although both won a number of awards, A Man's Thing has the distinction of being nominated for an Oscar in 2002 in the Best Short Film category.
A Man's Thing, directed by Slawomir Fabicki, is a great short film and perfect for those who love dramas. It is an emotional story and quite sad, as many dramas are, but one that addresses an issue that affects many people. It covers a lot in under a half hour and doesn't have a dull moment.
Kitsch (Polisz kicz projekt)
(2002) Director: Mariusz Pujszo;
"Kitsch" is a uniquely different type of film. It is about two men and their cameraman (who you rarely see) who know little to nothing about making movies and who fool beautiful women into thinking they are stars in their production. Overall, the film is senseless; but in the chaos, it all adds up into something that takes another shape, one that makes sense.
Throughout the movie, the two guys make this film funny by interspersing their commentary on cinema. The men act a little silly occasionally and even look a little goofy, which makes it hard not to find amusement in their antics. The women are hilarious because they take them serious.
Without a doubt, "Kitsch" is funny. It is a goofy kind of humor, but it is loaded with it! If you thought you have watched enough Polish films about making a film, here is another, but one that takes a unique spin on the idea.
There and Back (Tam i z Powrotem)
(2002) Director: Wojciech Wojcik;
Andrzej Hoffman (Janusz Gajos) is a surgeon that saves lives on a daily basis. However, he is haunted by events from his past, which happened twenty years ago. Hoffman was a partisian, fighting for his country to fend off both Germans and Russians. After the war when the dust settled, he served time in prison for his "crime." Tragically, his prison sentence kept him away from his wife and child in England. Now in 1965, some twenty years later, he desperately wants to reunite with them.
When Hoffman's old friend from the war days pays him a visit, he is offered a way out. Jurek (Jan Frycz) proposes they rob a bank so that they can buy passports and leave the country. Hoffman hesitantly agrees to help with the heist out of desperation. Both have their own motivation to consider such a drastic resort, which complicates the issue of right and wrong. The suspense runs high throughout the entire film but intensifies from the time they start planning the robbery.
There and Back (Tam i z Powrotem) is a fantastic Polish drama because it has a great moral dilemma. What makes this a stirring movie is that we get to see how Hoffman struggles to do what is right, even though his problems stemmed from actions the communist government disliked and their actual criminality merely a matter of viewpoint. It is a very touching story that is sure to make you feel a range of emotions.
There and Back is a great drama for several reasons. Overall, there is a lot of suspense and won't put you to sleep. The music is very emotional and works well with the story. The acting is top rate. As usual, Gajos delivers an outstanding performance. I would highly recommend this movie to everyone and is likely to please even the harshest of critics.
Six Days of Ostrich (6 Dni Strusia)
(2002) Director: Jaroslaw Zamojda;
"6 Dni Strusia" (2001) is a modern day romantic comedy about a guy who will do just about anything to get the attention of the girl he fell for. Tom Strusinski is a handsome, young lawyer who is normally heartless when he helps companies downsize. His client has a basketball team that he recommends be disbanded to save money. When he meets the boss's daughter, Justyna, he learns there is more to life than money and she convinces him to help save the team.
Tom's friend introduces him to someone who offers him a treatment to have fantastic athletic abilities, so he can join the team and win over Justyna. The treatment comes with a hidden price that complicates the situation for Tom. The story stretches reality extensively, but it may appeal to those with a romantic heart.
The underlining theme of the movie is honesty. The lawyer struggles for honesty while the basketball players and the girl he likes have it. He takes an easy way to being good at sports, while the others work hard to get there. Along the way, Tom learns about honesty.
Jaroslaw Zamojda, whose more recent film was "RH+," directs "6 Dni Strusia." The movie has mostly unknown actors that do a fair to good job. Overall, the film is entertaining, has a few funny moments, and might make a good one to watch with friends.
Career of Nikos Dyzma (Kariera Nikosia Dyzmy)
(2002) Director: Jacek Bromski;
"The Career of Nikos Dyzma" (2002) is a comedy about an undertaker/eulogizer (as played by Cezary Pazura, who also stars in "Tato," "Sara," and "Happy New York") whose life takes a dramatic turn when he signs for the mail of a deceased politician. The letter he signed for is an invitation to a party for wealthy and powerful figures. At the party, Nikos puts the Vice-Premier in his place after he bumped into Nikos, knocking over his salad. This action gains him the respect and admiration of the room, as the Vice-Premier was not well liked -- opening the way for Nikos into the world of politics.
The wives of the politicians are all interested in Nikos as their husbands are all much older and impotent. Gaining the liking of the politicians' wives only provides Nikos with valuable political information and the power of the wives to influence their husbands.
A reoccurring political comment that Nikos makes in the film is for the people to buy and use Polish made products, despite lower costing imports, so that their own people will have jobs. The working people see the truth in this idea and look favorably upon Nikos for supporting them. Nikos also gave great eulogies, a skill he now uses for political speeches that move the people.
"The Career of Nikos Dyzma" is directed by Jacek Bromski. The film is in Polish, but has optional English subtitles. Special features include the trailer, bios, photo gallery, and a short piece on the making of the film (spoken in Polish with no subtitle option). This 105 minute film has several popular Polish actors, such as Anna Przybylska (who stared in "Sucker Season" and "Superprodukcja") and Katarzyna Figura (who stared in "Zemsta," "Happy New York," and "Pianist"). The Career of Nikos Dyzma" would easily get an "R rating" by American standards for nudity.
Symmetry (Symetria)
(2003) Director: Konrad Niewolski;
Behind prison walls life is not exactly the same but is a reflection of it. It is reminiscent of the phrase "as above so below" but might be more accurate to say "as here so there." Symmetry (Symetria) is a great film about prison life and shows how life is mirrored there. They have their own slang, their own culture and even their own justice system.
Lukasz (Arkadiusz Detmer) is accused of a crime he didn't commit but the justice system doesn't seem to recognize that fact. Lukasz is quickly oriented (and so are we) by the other inmates into the world behind bars. The first inmate he sees in a holding cell asks him using prison slang if he is a tough guy or a push over. Lukasz quickly decides he will take the path of being a strong guy.
When Lukasz is first placed in his cell with his five cellmates he gets an introduction to who he will be spending his time with (one of my favorite scenes in the movie). He is greeted by a hard crew of guys, from Albert (Borys Szyc) who is a real thug to Dawid (Andrzej Chyra) who isn't large in stature but is a deadly killer. They test him and teach him how it works in this world.
The movie is amazing in that it shows a man's transformation. At first Lukasz struggles in fitting in and not being overwhelmed by the other inmates who use force and intimidation. After that, his next problem is not going crazy from just being there. I will let you see for yourself what happens.
Part of the appeal of this movie is that it is intense. There is some violence but don't worry it isn't just one beat down after another but a story of substance. The acting is great and I do have to add that Detmer did an amazing job playing the role of Lukasz. I love the slag and it is very catchy; it also gives the movie another level of realism. The music is by Michal Lorenc, who is one of my favorite composers, is very intense and compliments the story very well.
Symetria is amazing and might even change the way you think about prisons. Konrad Niewolski, the director of Symetria, truly impressed me with this unforgettable drama/thriller.
Changes (Przemiany)
(2003) Director: Lukasz Barczyk;
Changes (Przemiany) is a serious movie that blends suspense with drama and the erotic. The story begins with a guy named Adrian Snaut going to visit his girlfriend Wanda. He intends to marry her so her family agrees to have him stay with them a few days to get to know him better. Snaut is a former drug addict and has a sketchy side to him so he doesn't get a lot of trust from Wanda's family.
The former drug addict disturbs the tranquility of the house and it doesn't take much to do so as they all have a lot of baggage. Wanda lives with her two sisters and their mother is the head of the household. Wanda's sister Marta (Maja Ostaszewska) is married and her husband also lives with them. Her unmarried sister, Basia, also has a daughter. There is a lot of mystery and secrecy in this family and Adrian rattles them all very easily.
Przemiany approaches the feeling of one of those sexy thrillers as the drama has such high tension that one is kept unnerved. However, it falls short and doesn't quite make the classification of thriller and clearly sticks to the realm of drama. The drama isn't bad if one is into stories about dysfunctional people. But don't expect anything uplifting about this movie, as it doesn't approach such things.
Lukasz Barczyk is the director and writer of this Polish film from 2003. In his more recent film, Nieruchomy Poruszyciel (2008), I think he goes for similar feeling but with a much different plot. I suspect we will see more of the same type of movies from him in the future.
Superproduction (Superprodukcja)
(2003) Director: Juliusz Machulski;
Superprodukcja is another Polish film about making films. However, this time a film critic is pressured by a mobster into making a film that will star the mobster's girlfriend. Overall, the story idea is original and this is a film worth watching.
There are references in this film to other Polish films, and probably knowing a little about Polish films makes this movie even more funny. For example, viewers familiar with Krzystof Kieslowski's Decalogue will recognize the "watching man" who appears in several of the Decalogue episodes, always silent and often carrying something. In Superprodukcja, the "watching man" appears a few times sporadically, with Decalogue-like dramatic music playing as he makes his short cameos, just as he did in the Decalogue.
Superprodukcja also has a bit of action and drama, so it is more than just a "joke after joke" comedy. Toward the end of the film there is one of the most hilarious scenes in the film, probably worth seeing the film just for that alone. If you liked the Polish comedy "Hacker," you should also like Superprodukcja.
Revenge (Zemsta)
(2003) Director: Andrzej Wajda;
Zemsta is one of Andrzej Wajda's newer films. Like his adaptation of so many of the classics in Polish literature, Zemsta is based on Alekesander Fredro's epic poem. The story, set in the 17th century, is about two quarreling families that live in the same castle divided by a brick wall. Every chance the two neighbors get they cause each other trouble. However, there is romance brewing within the castle walls, as the son of one man and the niece of the other like each other, despite their guardian's hatred of each.
The film is similar to a play, and the characters even occasionally talk to the audience. Much of the dialogue is in rhyme (in Polish anyway, not in the English subtitles). But it is more than a drama, it is also a comedy. After watching the film more than five times, I still laugh so much I start choking every time it gets to the part where Gajos and Olbrychski are scribing a letter. Interestingly, Roman Polanski plays a leading role in this film, and he even sings.
Forecast For Tomorrow (Pogoda na Jutro)
(2003) Director: Jerzy Stuhr;
"Pogoda na Jutro" is a drama/comedy of a very high caliber. Director Jerzy Stuhr, who also plays the leading role, takes us on a dramatic journey with a unique story. What makes it brilliant is that it is just as funny as it is thought provoking and dramatic.
The movie is about a father that was secluded in a monastery for 17 years to avoid political trouble. The first time he leaves the monastery is to play in a musical band with the other monks at a festival, where his son and wife recognize him and he returns to his family. While he was away, much has changed and his three kids go astray in their own ways. Trying to get back in good standing and make it up to his family, he tries to help them, which stirs up the hornet's nest.
This movie is hilariously funny at times, but also intense and makes you think. It really does take a look at actions and reactions; one of the underlining ideas of the story is how some positive influence can have a dramatic affect on someone's life and, on the other hand, the dangers that can result with the absence of a loving father. Sit back end enjoy as "Pogoda na Jutro" is an amazing psychological drama that will keep you glued to the screen.
Insatiability (Nienasycenie)
(2003) Director: Wiktor Grodecki;
Not knowing what to expect is normal for Polish films, but it is taken to a new level with "Instability" (Nienasycenie). I can honestly say "Instability" is a strange movie. Simply, it is a story of a young man who lives in a world on the verge of war with invaders from China and his interactions with those who want to satisfy their lust. The film is based on a novel written by Stanislaw Ignacy Witkiewicz in 1930.
What is strange in this film is that almost everyone is crazy, so no one really acts normal; so what is normal is being crazy. The line between dreaming and reality are often blurry so it does have a surreal feeling. It is like you step into a bizarre world where everything is on its head.
I did found it unusual how very often many of the characters spoke in philosophic or mumbo-jumbo dialogues. After a while, I felt the film took on the feeling of a play because of these dialogues and the bizarre nature of the events. To top it off, some of the same actors play multiple roles. For example, Cezary Pazura plays four roles, and exceptionally well at that.
I have to say "Instability" is not for everyone. Much of the film may be shocking for many American viewers. It is, after all, quite filled with atypical sex and more than some nudity, with most of that being naked men (there is only one bare bosom to the entire film). This being said, I would not really call this a gay film, although there are at least a couple of gay characters in it. Moreover, it does not stop there, as there are a few shocking gory parts also. "Instability" may most appeal to artsy people or those looking for something different.
The Old Fairy Tale: When the Sun Was God (Stara Basn: Kiedy Slonce Bylo Bogiem)
(2003) Director: Jerzy Hoffman;
The Old Fairy Tale: When the Sun Was God (Stara Basn: Kiedy Slonce Bylo Bogiem) may not be the best title as far as telling us what the movie is about other than it will have a pagan element. Jerzy Hoffman, who brought us the trilogy from the 17th century, presents us with one of Poland's oldest legends on film -- the story of Popiel. This a story from Poland's prehistory pagan time; a story that has been told and re-told, and Hoffman does a fantastic retelling of the story on film.
The story could be summarized by saying Popiel is an evil and oppressive ruler that uses force unjustly on neighboring people. The people unit and make an effort to overthrow him. Of course, there is a love story in there too with titillating magical spells to help that effort along.
The movie is well done -- from the eerie music to the fierce battles. There are also rituals and pagan dances that left me in awe thinking this was how Poland was like back then. We also see the Vikings, who battle the pre-history Poles. Oddly, some of the Vikings carry Draco standards resembling the type Sarmatian horsemen carried some 500 years earlier while in Roman service. The battle scenes are comparable in realistic special effects and sheer brutality with other historical films such as Braveheart.
About half of the cast from Hoffman's Ogniem i Mieczem star in Stara Basn. Michal Zebrowski plays a lead role again and you are sure to recognize several other faces. Of those not in Ogniem i Mieczem is Malgorzata Foremniak, who plays Popiel's wife and is one of my favorite Polish actresses.
Stara Basn is an exceptional Polish film that has it all with action, battles, romance and interesting costumes. The movie also has its cultural aspect, as it is based on a classic Polish legend. If you enjoy historical movies you have to watch this one.
Say it, Gabi (Powiedz to, Gabi)
(2003) Director: Roland Rowinski;
"Powiedz to, Gabi" (Say it, Gabi) plays like a soap opera grabbing your attention as it wavers between story plots that mix together. Gabi (Marta Chodorowska) is an immature pretty 16-year old girl who looks older than she really is. She is impulsive, spunky, and an incredible liar. Gabi likes a much older man (Andrzej Chyra), who lives in the same apartment complex as her. The fact that he already has a fianc顤oesn't deter her from fabricating incredible stories to get his attention.
Gabi starts a spree of mischief that begins with stealing a nun's outfit. From there, she occasionally pretends to be a nun. The film is more than the love story of an impulsive and rebellious girl. "Powiedz to, Gabi" brings us a complicated web of drama interconnecting many lives.
The presentation of this story is different from what would be expected. It uses many camera angles and creates a sense of a TV serial. I have to give it credit for being original in its camera presentation, but the fact that the camera is sometimes shaky can get a little annoying. "Powiedz to, Gabi" is a fun movie, but not one that I would expect to win awards.
White Soup (Zurek)
(2003) Director: Ryszard Brylski;
White Soup / Zurek is a dramatic story about a mother's search for her daughter's child. The mother desperately searches for the father of the child so that the child can be named after him, a promise she made to her husband before he died.
Iwonka is a pretty 15-year-old who looks older than her age, but is mildly retarded. Iwonka's good looks cause her trouble, as men find her attractive and take advantage of her naivete.
Although the theme of "Zurek" is a bit depressing and sad, there are redeeming moments of hope and kindness; a cyclist, Matuszek, who liked the mother when she was younger, helps the women out, expecting nothing in return. Americans may feel the film is quite somber, but from the Polish perspective, "Zurek" is not so serious and filled with some great humor.
"Zurek" is directed by Ryszard Brylski, and a good choice for those people who enjoy Polish cinema.
Pornografia
(2003) Director: Jan Jakub Kolski;
With a title like "Pornografia" one probably gets a lot of preconceived ideas what the movie is about. Although there are a few sexy parts in this movie, it probably isn't what one thought it would be about. It is a movie (based on a book) about two guys, Fryderyk and Witold, during the war.
The movie takes place during World War II but is not about the war. Although times of war are not normal by any means life went on during the war. People lived as normal of a life as they could and this movie, to some extent, captures that.
Fryderyk and Witold leave behind the artsy crowd of intellectuals in Warsaw they normally hang out with to visit a friend in the country. There, they meet his pretty young daughter and take a liking to her. They make a wager among themselves that they can have her become interested in Karol, the hired young man who helps tend the farm. It isn't an easy task as she has a fianc饠but that only makes it more interesting for them.
I have to admit I really like Jan Jakub Kolski's films. Although "Pornografia" is a bit different than Kolski's other films, it does have a few things in common with his other work. It has close up scenes of nature (animals or insects) and his wife plays a leading role. They also have a quality to them that can only be described as beautiful.
What makes the film captivating is its play on the senses in this psychological drama. On the one hand, the film is artistic and beautiful, and on the other, it is almost mystical. Together, they provide a truly extraordinary cinematographic experience. "Pornografia" is dramatic and at times emotional, but always filled with an intangible mysterious flair.
Chopper (Motor)
(2003) Director: Wieslaw Paluch;
Motor is Wieslaw Paluch's debut film is about a group of friends that worship motorcycles. Although no one in the group actually has one, they all have a deep admiration of motorcycles and think of them as god. If they are serious about this or if it is just their running joke really doesn't matter but does give you an idea about the type of people we are talking about. This movie is a comedy/drama about growing up and it goes back and forth between 1983 when they were in high school and the present time (2003).
Like many stories it also contains a love story; the romance is between Bazyl, the narrator and main character, and Monika (Ofelia Karolina Cybula). There is a lot of suspense when we see the contrast in the time periods and we are left wondering what happened. Bazyl goes from thinking Monika is the perfect girl in 1983 to not really caring too much one way or the other about her in the present. Some people do not age too well but in the case of Monika she probably looks even better.
Our motorcycle worshipers are always looking to get drunk or to do something stupid. They act like cretins, which at times is very funny and the rest of the time is just annoying. Some things about them change with time but considering how immature they still are, it is very debatable if their maturity is one of them. Monika seems to be the only normal one here and I have no idea why she tolerates such imbeciles in either time period. Motor has a few very funny scenes that will probably make you laugh a bit if you can stand the idiocy of these dolts.
Warsaw (Warszawa)
(2003) Director: Dariusz Gajeweski;
Warszawa (Warsaw) brings us into a day in the life of several people. The story all takes place in Warsaw, the capital of Poland. Even though it is a big city, it is small enough that nearly all of the charters in the story have at least a brush encounter with each other within 24 hours. Although there are many people we meet in the story, the two that stand out are Klara (Agnieszka Grochowska) and Wiktoria (Dominika Ostalowska), who just arrive in the city.
Klara is new to the city and it appears she has a lot of hope for a new life there. By chance, she meets a guy named Pawel Nowak on the train into the city. He has a shaved head and it looks like he could be a tough guy. He takes a liking to her right away and I could honestly say that I had almost no idea what will happen next with them.
Wiktoria hitchhikes into the city and her driver is a man named Andrzej. He is suspicious in just about everything he does and is mysterious with what he really wants from her. We also see a couple people that live in the city; they wander its streets for different reasons and are part of its fabric. All of the people we get to know in the story don't have the easiest time but that adds a realistic element to it.
Warszawa has an intricate story with many people involved and figuring out where it is going next is part of the fun. The story unfolds in an unusual way but that is what makes Warszawa so appealing. There is a lot of tension from not knowing how the girls will get by and not trusting the guy's motivation. I would say there is so much suspense the movie is nearly a thriller.
The Welts (Pregi)
(2004) Director: Magdalena Piekorz;
The Welts (Pregi) is a dramatic, as well as a bit artsy, film about abuse. Andrzej Winkler (Jan Frycz) is trying to raise his son right and is one that doesn't spare the rod to do so. His son, Wojciech, is a smart aleck and doesn't have much luck considering how much goes wrong for him giving his father many reasons to punish him. The story takes place in two time periods; we see Wojciech as a 12 year old (Waclaw Adamczyk) and as an adult (Michal Zebrowski). This gives us time to see what shaped Wojciech and the results it had on him.
One can't help but wonder if Wojciech's bad behavior leads to him to being punished or if the punishment is leading him to misbehave. There is something very tragic about the story but this may be part of what makes it so powerful. The story itself is intense and the great acting and powerful music at just the right moments only make it more so. Although the movie is about a very serious subject, there are moments of humor here and there that lighten the mood unexpectedly. I have to say, please don't think the movie is all gloom and doom as hope for something better is always there.
Although the name The Welts may seem a bit odd for a title, it will seem most appropriate by the time you finish watching it. The Welts is an exceptional movie and has a quality about it that is sure to impress. I highly recommend this film for everyone.
Moj Nikifor (My Nikifor)
(2004) Director: Krzysztof Krauze;
Moj Nikifor (My Nikifor) has a very original story that makes it pretty unique. Nikifor is the name of an old man who is a bit of an outcast. He can speak but mumbles in a way that is very hard for most people to understand him. He is an artist and makes money by selling his work but has strange habits like licking his brushes and eating quite a bit of paint. More than a few things make the people that know him want to keep their distance. Nikifor takes some space in the art studio of a man named Marian, much to his annoyance.
Marian has a wife and two young daughters but the longer he knows Nikifor the more he becomes more interested in him, slowly putting his family aside. The suspense builds as Marian tries to find out who Nikifor is and where he came from. In time, Marian is faced with choosing between his family and his odd friend. Although it might seem a little slow in the beginning, this film is one that really draws you into the world it shows. It is a great drama with more than a hint of suspense.
What makes the story amazing is that it is based on a true story. Nikifor's art looks like children's drawings but they have a style of their own that is quaint. After watching this film one has an appreciation into his life and the story behind his work. The acting is great; I have to mention Nikifor is played by Krystyna Feldman, which is pretty amazing because she plays the role of an elderly man. Moj Nikifor (2004) is directed by Krzysztof Krauze, who may be best known for his 1999 thriller Dlug (The Debt). My Nikifor is about artists and could be considered an artsy film.
Tulips (Tulipany)
(2004) Director: Jacek Borcuch;
Tulips (Tulipany) is about three old guys that are friends. When one of them has a heart attack and is sent to the hospital, his son (Andrzej Chyra) and his girlfriend (Ilona Ostrowska) come out to see him. There is some tension between the father and son because they do not know each other too well but the health crisis helped to bring them together and learn about each other.
This story explores friendship and older people wanting to be young; it has sad moments and is quite touching. The movie isn't entirely sad though as it is also about second chances. But underlying all these themes is the concept of being alone (and not being alone). The music is great and it helps to make the movie much more powerful. I also thought it had a number of funny parts, if you appreciate that type of humor.
Part of the appeal is that is about universal ideas and experiences. These old guys have ambitions and want to be young too but their years have passed and they are just not in young bodies anymore. They want to be loved and even have some adventures, which might surprise some young people. If I am making it sound like a deep movie, don't worry it is but it isn't; anything deep goes down very smoothly.
My guess is that the title of the movie is referring to the fact that tulips are the type of flower that come back every year and become young again year after year; even when they have lived out their days, they have life in them again. Tulipany has a little artsy feeling but not too much. If this movie sounds interesting, watch Tulipany and see if you agree with me.
Third (Trzeci)
(2004) Director: Jan Hrynika;
"Trzeci" (Third) begins with a couple enjoying themselves on a sailboat. Their sailboat crashes into a small rowboat, destroying it. Feeling sympathy for the occupant of the destroyed boat, they invite him to join them. From this point on the already strained relationship between the couple grows worse. The third wheel (Marek Kondrat) gets a mixed reception. Enjoying the new company, the woman welcomes him, while her man becomes uptight and controlling and doesn't care for the additional company.
This movie reminds me of Roman Polanski's "Knife in the Water" (1962). That too was a story of two men and a woman aboard a boat with similar tensions. The personality types between the two films are similar; the controlling guy, the wise guy newcomer, and the woman in the middle.
It is difficult to place "Trzeci" into a particular category. It isn't comical nor does it have much action. The most distinctive feature of the film is that it is suspenseful and unpredictable. The movie is somewhere between a drama and a thriller, not entirely being one or the other. If you are looking for something different, "Trzeci" will keep you guessing.
Attractive Male Seeking Woman... (Atrakcyjny Pozna Pania...)
(2004) Director: Marek Rebacz;
From the writer of Let's Make a Grandson (Zrobmy Sobie Wnuka) comes a Polish comedy about some backwards country folks. Stasio Tuchala (Roman Klosowski) finds himself in a predicament after his sister leaves for America. She used to do the household work and farm chores that Stasio doesn't have any experience with. Stasio's two friends decide to help him friend a woman by writing an advertisement (hence the title of this movie, Attractive Male Seeking Woman...).
Stasio's friends, Waclaw (Andrzej Grabowski) and Henryk (Marek Perepeczko) are country bumpkins that spend most of their day drinking on the bench in front of the general store. Both Grabowski and the late Perepeczko are great actors that add a lot of humor to the movie. This is one of the last movies Perepeczko stared in; he is best known as playing the leading role in the 1973 TV series Janosik.
To balance this pair, there are two middle-age women who both have their eye on Stasio. They sit and gossip just like Waclaw and Henryk. A couple of the dialogues they have with each other are hilarious and rank among the best scenes in the movie.
There are also several sub-plots, which remotely connects together with the larger story. For instance, there is a longhaired young man who envisions he is in the Wild West. He doesn't say a word in the entire film and uses gestures to communicate. He, along with the other subplots, may add a bit of suspense to the overall story.
Attractive Male Seeking Woman... (Atrakcyjny Pozna Pania...) is the directorial debut of Marek Rebacz. It is possible that there is a connection between this film and Let's Make a Grandson. Tuchala was also the last name of the young woman who went to the city to visit her relatives in Let's Make a Grandson. Of course, Marek Rebacz wrote both of the screenplays and it could be purely a coincident.
Karol: A Man Who Became Pope
(2005) Director: Giacomo Battiato;
Pope John Paul II is probably the most famous Pole in recent history. Before he was Pope John Paul II, he was Karol Wojtyla. Before he became the Pope, he was an actor, poet, teacher, and priest. "Karol: A Man who Became Pope" traces his personal history from the early days of the second world war up until the time he becomes the Pope. His life story is an interesting and inspirational.
The movie begins with a young Karol at the start of World War II, we get to see a close up look at the brutal German invasion of Krakow and how Karol managed to lived though it. The arrival and occupation of the city must have been a traumatic experience, and we get to see the death and destruction the Nazis brought from the perspective of Karol and his friends. Events in the war influenced Karol and made him decide to become a priest so he could help others.
With the end of the war, Poland did not have an easy time, as now the Russians controlled Poland. Priests were a persecuted group as the communists were atheists. A spy was placed to watch Wojtyla as he was deemed to be a threat to communism. We get to see the future Pope develop as a person and spiritually, as he touches the lives of so many people. It was incredible to watch how all of this unfolded.
There are several messages in the film. One theme is life and death, as Karol sees others suffer and even die; yet he does not loose his faith. He remains hopeful and strong in situations where others would give up. This brings us to the other major themes of the movie: faith and love. He never lost his faith in a better future. We also see how love can triumph over hate. Love can pave the way to a better future, and whatever banner hate has, it will not triumph over love.
"Karol: A Man who Became Pope" shows us the amazing story of how Karol Wojtyla persevered from Nazi to communist persecution, detailing the incredible story of an amazing man. It was a reminder to me that hope and faith should not be abandoned in bad times; in fact, they are most needed then. I highly enjoyed this inspirational and touching film.
The Lovers of the Year of the Tiger (Kochankowie Roku Tygrysa)
(2005) Director: Jacek Bromski;
Kochankowie Roku Tygrysa (The Lovers of the Year of the Tiger) is a historical drama set in 1913. Although the title gives away the fact that this is a romance, it is a subtle one. We get a hint of the outcome of the romance in the first few minutes of the film when, in the present day, an old man goes to the Polish embassy in China. He wants to visit Poland before he dies and asks them to read the story of why he is interested in going there.
The old man's story takes us back to 1913 in Siberia. At this time Poland isn't on the map because its neighbors have divided her lands amongst themselves for over a hundred years. And for just about as long, the Russians have been sending anyone they find troublesome to Siberia. Two Poles flee from the Russians who are chasing them and one of them (Michal Zebrowski) just barely crosses the river into Manchuria. A hunter finds him and brings him to his home to nurse him back to health. The hunter is an honorable man and discourages the romance before it begins by cutting his daughter's hair and having her dress as a boy. I will save the rest of the details to leave at last a little suspense but there aren't a whole lot of surprises.
Kochankowie Roku Tygrysa is unusual compared to other Polish films in that most of the movie isn't spoken in Polish and most of the actors are not Polish. Although I appreciate that it is spoken in Cantonese, as this adds a level of realism to the film. It is quite a change of pace for director Jacek Bromski, who often does comedies, but that isn't saying much as it is pretty unique compared to Polish cinema in general. Hopefully, we will see more movies about the Poles exiled to Siberia in the years to come.
Crime Stories (Lawstorant)
(2005) Director: Mikolaj Haremski;
Just like your typical action film, Lawstorant is a movie about criminals and mobsters. Although it does not have as much violence as some action films, it does have more humor. Three guys and a lady set up a business, but as they started it with money borrowed from organized crime, you know they are not going to have an easy time.
This movie is also the first feature film of Polish rock star Michal Wisniewski of the band Ich Troje. Although not the main character of the film, he does play one of the leading roles. As an actor, he did a reasonable job for his first film.
My favorite parts of this movie were the beginning and the ending. It started out interesting, got my attention right away, and finished with a nice surprise. Overall, it compares to other action/comedies with enough funny parts and action to keep it entertaining. Get ready for some action and laughs with Lawstorant.
I Am (Jestem)
(2005) Director: Dorota Kedzierzawska;
Jestem (I Am) is a movie that shows us the darker side of life and is pretty far removed from any romantic notions. The main charter is a boy who runs away from an orphanage and returns to his home. His young mother doesn't give him a very warm welcome on his return. She is more interested in guys and finding love by one of them than she is her own son. As he finds he really doesn't have a place at home, the boy others call Kundel (which means mongrel) goes forth into the world to survive on his own.
Kundel's life isn't a grand adventure; he spends most of his time looking for food and his main concern is just surviving. Some sense of normalcy develops in his life when he makes a home in an old boat on the river. The house nearby has a family with two young girls. The younger girl visits Kundel nearly ever day and is one of the few people who is nice to him. She has a good heart and they both bring out the best in each other. With time, they build a strong friendship or possibly even love.
Jestem makes a good drama because it touches on a whole range of emotions. The acting is excellent and the characters are likeable so the story is bound to pull you in. Although a couple of the main characters of the movie are children, I wouldn't say this is a movie intended primarily for kids. With that said, most of the content is okay to watch with kids although some parts might be too intense for younger children and there is some brief nudity. If anything, this movie will probably change their mind about ever wanting to run away as the life it shows is harsh.
Angel in Love (Zakochany Aniol)
(2005) Director: Artur Wiecek;
Giordano, our hero from "Angel in Krakow," is back in "Angel in Love." You are not to be disappointed with this sequel, as I believe it is better than the first part. This comedy has many funny scenes and a few touching ones that made me cry.
Our Giordano is cut loose from being an angel by his supervisors in heaven. However, they help him along the way seeing to it that the kid he is caring for gets a nanny and even help him fall in love. The transitions from angel to human gets Giordano into many funny situations, including him trying to win the heart of a woman, as he is totally new to romance.
"Angel in Love" is a charming, modern-day fairy tale. If you did not see the first part, don't worry, because this film will make sense on its own. At any rate, if you're looking for an upbeat, romantic-type of comedy, look no further.
The Debt Collector (Komornik)
(2005) Director: Feliks Falk;
"Komornik" gives us a close look into the life of a profession no one likes. Lucek (Andrezej Chyra) is a debt collector that takes his job very seriously. Being cold and hard, two traits needed to do his job, makes it difficult for him to make friends. He is often chased away by the people he visits. His work is legal, yet it is somehow dirty.
Lucek is a "by the books" type of guy who has no reservations taking away medical equipment from a hospital or a musical instrument from a child. He does not care how much they owe or how it will affect their lives. He appears to get a kick out of making people pay their debts even if they owe relatively little. I was left wondering whether he was a power freak.
As we observe Lucek go about his job, the drama and tension build. Several events unfold that make our gung-ho debt collector wonder if he went too far. One of his clients kills himself, making Lucek wonder if he is doing the right thing. To complicate matters, Lucek accepts a bribe to teach someone a lesson. The lesson turns out to be on him as he finds himself stuck in a twisted mess.
"Komornik" is an interesting drama that shows how life can transform a person. Although parts of the film are depressing, it is a realistic portrayal of life in Poland. If you enjoy dramas, "Kormornik" is worth watching as it has an original storyline and good acting.
Crossroads Cafe (Rozdroze Cafe)
(2006) Director: Leszek Wosiewicz;
"Rozdroze Cafe" (Crossroads Cafe) is a movie about the changing moments in the life of a young man named Grzegorz. Robert Olech plays the role of Grzegorz, who is from a poor family but has some ambitions to become wealthy. His family includes his mother, mildly retarded brother Bronek, and sister Dusia. They all have an influence on his life and he does his best to help them.
Grzegorz and his two friends decide to get rich by robbing a bank with the assistance of a crooked security guard who works there. As Grzegorz and his friends pursue the destructive path they have chosen, we get to see how their actions have consequences. "Rozdroze Cafe" builds in suspense as the story develops and you just wonder when it will explode.
The overall presentation of the story is interesting. The rock music of Kazik is interspersed throughout the entire movie, with his lyrics giving the theme of the story as a narrator would. The details he provides helps the viewer make sense of what is going on in the film. "Rozdroze Cafe" isn't a pretty story, but it is a compelling one full of drama, action, and tragedy.
The Magic Tree (Magiczne Drzewo)
(2006) Director: Andrzej Maleszka;
Magiczne Drzewo (The Magic Tree) is an Emmy Award winning Polish TV series geared at children directed by Andrzej Maleszka. It consists of seven episodes that are like short movies. They are not connected sequentially but by the basic plot that sets the story. Each episode has the same introduction showing us how an old Oak tree is hit by lightning and falls to the ground. This is no ordinary tree, but a magical one. After its wood is sent around the world for various products, strange events start to happen.
All of the main characters in each of the stories are children, but this series will amuse adults too. The products from the magic tree all have unusual powers. These include: a sled that will obey its owner’s commands; a dice with white and black circles on it, and when rolled, bringing luck or misfortune depending on which color comes up; a magic pencil that has the power to make whatever is drawn come to life; a scepter that has the power to make its owners commands come to life in their most literal sense; and even wooden shoes that make the wishes of the person who wears them come true.
As you can imagine, these powerful objects in the hands of children brings them great adventures, but they also learn a lesson from their escapades. These are stories in which just about anything can happen and are appealing for those with hearts that love imagination. I think all seven episodes are well done and quite remarkable. Magiczne Drzewo is great entertainment for the whole family.
The Underneath (Pod Powierzchnia)
(2006) Director: Marek Gajczak;
"The Underneath" (Pod Powierzchnia) is a story of temptation or perhaps obsession. Interestingly enough, most of the film has only four actors. It takes a little bit of time to figure out what is going on but figuring it out is all part of the suspense. What distinguishes this thriller is that it is a fairly erotic movie.
Piotr and his girlfriend Iza go visit their friend who has a house at a secluded lake. His friend Michael is Iza's ex-boyfriend and they aren't on the best of terms. Michael's girlfriend Ania has her eye on Piotr. Piotr becomes fascinated and obsessed with Ania at first sight. Not too surprising, there is a strange tension between the four and you will have no idea where the story will go. Learning about their history also keeps you on edge and helps explain their actions. There is a lot of mystery to unravel about the four and their past.
A lot of the scenes take place on the lakefront and much of the symbolism has to do with the lake. The symbolism has to do with the reflections the water makes and what lies underneath its surface. The lake senses are often on the sensual side because Ania is a bit of an exhibitionist and swims naked. Piotr is practically hypnotized by her body and to say it distracts him may be an understatement.
There is freshness to "The Underneath" as it is the product of those just starting their film careers. It is Marek Gajczak's directorial debut and although the actors in this movie do have some experience (mostly in the last decade), they are not too well known. Like a good Polish film, "The Underneath" is hard to predict and I really think the title fits it well.
Polish Kitsch Project Counter Attack (Polisz Kicz Projekt... Kontratakuje)
(2006) Director: Mariusz Pujszo;
Mariusz Pujszo helped introduce Polish comedies to American audiences with his Polish Kitsch Project, which he starred in, wrote and directed. Mariusz and his sidekick Michal are back in Polish Kitsch Project Counter Attack. While working in a movie rental store a couple of years after making Polish Kitsch Project, the pair decide to have another go at making movies. Mariusz is convinced a horror film would be a hit, so they set off on looking for the cast.
The horror they end up making is called Legenda (which happens to be a real movie written and directed by Mariusz Pujszo). As you might expect, they try to make a few bucks off the casting like they did in part one. The amature efforts the canadiates make in casting are hillarious. Afterward making Legenda, Mariusz, Michal and their girls visit Hollywood to celebrate their success. Mariusz and Michal are quite funny because they are as goofy as ever.
As those of you who watched the first Polish Kitsch Project, you are probably expecting a lot of pretty girls in this film. I have to say you will not be disappointed, as they are probably even more good-looking women in the sequel. One of the new girls is Joanna Drozdowska, who won the Miss Polonia contest in 2001. Although there are lots of beautiful women in this movie, it is not a flesh fest; in all, there are just a few flashes of bare bosoms.
Polish Kitsch Project Counter Attack is similar enough to the first part to please those who liked the original but different enough to be more than just rehashing old jokes. The soundtack to the film is great and really compliments it. Another thing I like about Polish Kitsch Project Counter Attack is that you can watch it several times without it getting borring. Polish Kitsch Project Counter Attack runs a bit longer than the original with just as much entertainment.
Chaos
(2006) Director: Xawery Zulawski;
Reviewto be
posted
someday
Strike (Strajk-Bohaterka z Gdanska)
(2006) Director: Volker Schlondorff;
"Strike" (Strajk-Bohaterka z Gdanska) shows us the story of a woman who helped the Solidarity movement in Gdansk, Poland. Agnieszka is a welder who works harder than others and is initially disliked by some of her co-workers for it. She is optimistic to better herself and learns to read so that she can pass the exam to become a crane operator, which reflects her nature and her will to do good. Although she is fairly short in stature, she is steadfast in defending the rights of workers and becomes a heroine doing so.
In my view, "Strike" is an unusual Polish film as it is a German production in the Polish language. German director Volker Schlondorff, who is best known for "Tin Drum," brings us this story about the woman who spurred the Solidarity movement. Furthermore, two of the leading roles in "Strike" are played by Germans, including that of our heroine Agnieszka (Katharina Thalbach). The rest of the cast is Polish -- including notable performances by Andrzej Chyra and Andrzej Grabowski. The only detail that is obviously German about "Strike" is that the credits are in that language.
"Strike" isn't the first movie on the Solidarity movement. In 1981, Andrzej Wajda directed his influential film "Man of Iron" (Czlowiek z Zelaza) that showed the world what was happening in Poland. Interestingly, "Strike" has someone playing the role of Lech Walesa while in "Man of Iron" has Lech Walesa appearing as himself. Although both having a different feeling they show us history we may not have heard much about anywhere else.
In the face of injustice, corruption and bad working conditions, some people had the courage to stand up to defend the rights of workers. The dramatic story of our wide-eye heroine Agnieszka may inspire you. "Strike" is based on a true story (some report that it combines details of two women) and is great because it shows a bit of history in an entertaining way. Although not an easy battle, the Solidarity movement changed the lives of many and weakened communism to some extent with their strikes.
Palimpsest: A Hypnotic Mystery (Palimpsest)
(2006) Director: Konrad Niewolski;
Palimpsest: A Hypnotic Mystery is movie that fits the genres of psychological or thriller, but it ultimately is a mystery. The story begins with Marek (Andrzej Chyra) investigating the death of a fellow police officer that is proving to be a difficult case. His investigation shows that he is somehow linked to the murder, he just isn't sure how. The mystery then shifts to another level, perhaps more haunting than the first.
Hallucinations, dreams, memories, and the true reality overlap and nearly merge into a confused state giving us a mystery that is complicated to unravel. The suspense is wound tight as we are left wondering what the truth is but there are some visual clues to help distinguish different planes of existence. Watching for details may be helpful in solving the mystery so looking away for too long is not advised. There is a good chance that Palimpsest: A Hypnotic Mystery may leave you wanting to watch it again to pick up any missed details to take it all in.
Palimpsest: A Hypnotic Mystery is a unique movie with a bit of an artistic element to it. It is aptly named as "palimpsest" means to wash away or scrape clean and reuse, which was a practice done to manuscripts to reuse them. I won't give away any more of the plot so you will have to see for yourself if you agree with me.
Who Never Lived (Kto Nigdy Nie Zyl...)
(2006) Director: Andrzej Seweryn;
Who Never Lived (Kto Nigdy Nie Zyl...) is a powerful drama about a Catholic priest who has AIDS. Father Jan (Michal Zebrowski) works closely with drug-addicted youth and devotes his time helping them. Near the beginning of the film Father Jan gives a funeral sermon in which he strongly condemns drugs but reminds the audience that God forgives. He also makes a statement about "he who never lived" which echoes throughout the movie as a description of Father Jan himself. He didn’t do drugs or have sex but he soon finds out that he has AIDS.
After the stage is set with the above, I think there is two significant phases to the film. For rest and soul searching, Father Jan goes to a monastery. Within the walls there, he is largely protected from the outside world. He learns new things, as do others from him, albeit probably not any major lessons. This is contrasted with the next phase, which takes place outside the monastery, where the "man who never lived" is faced with the temptations of the world. To save you the suspense, I will not get into any more details but will say the story builds and gets more intense as it progresses.
Who Never Lived is directed by Andrzej Seweryn. Seweryn is famous for being an actor and this is his directorial debut. The story is shocking because you do not expect a priest to have AIDS but this movie is based on a true story. The account of Father Jan presented in the movie is mostly his simple daily living and how others react to him, and Zebrowski does a great job acting in this tough role. The movie might not have any big revelation for its viewers but it may make us pause for a moment and think.
Double (Dublerzy)
(2006) Director: Marcin Ziebinski;
Double (Dublerzy) begins with two Poles getting mixed into a bad situation at wedding in Sicily. But this isn't any wedding but one of a powerful Mafia family. Leon (Andrzej Grabowski) and Max (Robert Gonera) find their common heritage brings them together quickly as they both become targets. Dodging bullets the pair flees the event to return to Poland, but the family doesn't forget. Luck brings the pair back together again a half year later and bad luck brings them back into the path of the mob family that wants them dead. Of course, dumb luck keeps bringing them all together over and over with hilarious results.
Although at first I was undecided if Dublerzy is a comedy with a lot of action or an action movie with a lot of comedy; but by the end, I have to say there is a lot more action. The movie has a lot of shooting scenes and the action does not let up. It probably isn't too far of an exaggeration to say that there is a fight or a shooting scene every five minutes. But the humor helps take away any seriousness the movie could have and the action keeps it from getting dull. The Italians charters actually speak Italian, which is also a nice touch.
In addition to those named already, Dublerzy has a lot of famous Polish actors including Krzysztof Kowalewski and Krystyna Feldman. It is also the last movie the late Marek Perepeczko stared in (who played Janosik in the TV series with the same name). On the other hand, it also has the acting debut of Kayah, who is a popular Polish singer. Dublerzy (2006) is directed by Marcin Ziebinski and it is quite a change of pace from the suspenseful thriller (Gniew) he made some eight years earlier.
The Boy on the Galloping Horse (Chlopiec Na Galopujacym Koniu)
(2006) Director: Adam Guzinski;
The Boy on the Galloping Horse (Chlopiec na galopujacym koniu) is a touching drama about a family facing problems. Jerzy and his wife Maria live in the country with their son Jasiek. There is a conflict you can detect between the couple but their son binds them. It turns out that Jasiek has a health issue and will need to go to the city for an operation. The story doesn't tell you everything all at once and subtlety communicates its message.
Jerzy is an accomplished writer and his wife is a photographer, but when there is a major problem in life, it all can come to a standstill. Jasiek is just a boy and it may seem like he doesn't have much power but he gives his parents the occasion to reflect on their relationship. It is a drama without a lot of action but still pulls you in.
The Boy on the Galloping Horse resembles visual poetry and is shot in black and white, unquestionably putting it in the realm of art films. It allows the viewer to reflect on life in general and compare what one sees in the movie to his or her own situation. Although the movie is relatively short, running 73 minutes long, it covers the topic well. If anything, the movie reminds us to appreciate life and that it can be very fragile.
Adam Guzinski wrote and directed a couple of shorts before directing The Boy on the Galloping Horse. His style is artsy and works well with dramas. Some parts combine ironic humor and visual beauty, which give it a nice feeling. My favorite example of this is the scene with the bus driver's sun visor, which has two things on it that oddly conflict.
Just Love Me (Tylko Mnie Kochaj)
(2006) Director: Ryszard Zatorski;
With a title like Tylko Mnie Kochaj (Just Love Me) you know it is going to be a love story. It borders on being a fairy tale story that shows the good life. Michal (Maciej Zakoscielny) has a good job, a fancy car, and even an apartment tiled with granite; but he doesn't have someone in his life that he loves or loves him. All of that changes when he is surprised one day to find a cute girl at his doorstep claiming to be his daughter.
Michal is in complete disbelief and shock at this seven-year-old girl's claim. She tells Michal that all she wants from him is that he "just love me." He agrees to take care of her for five days to get to know her better. His girlfriend isn't too thrilled with the whole situation. Michal quickly takes a liking to his daughter and they both have a lot of fun together. Michal also meets a woman named Julia at work and they strike up a connection.
A few parts of the movie are a little predictable, as are most romantic comedies. Tylko Mnie Kochaj has some pretty funny parts that make the movie fun. If you have been to Poland recently, you will appreciate the part where Michal is driving on the small road and passing cars like a maniac to get to his destination quicker, as this is exactly how it is nowadays.
Ryszard Zatorski, the director of Tylko Mnie Kochaj, has gained popularity with his romantic comedies. Agnieszka Grochowska, who is an actress I particularly enjoy and think has a promising career, plays the role of Julia. There is even a short clip from Ryszard Zatorski's earlier film Nigdy w Zyciu! edited into this one giving Artur Zmijewski and Danuta Stenka a short cameo. Tylko Mnie Kochaj doesn't have any violence or nudity so it may be appropriate for all crowds.
The Secret of Code Fortress (Tajemnica Twierdzy Szyfrow)
(2007) Director: Adek Drabinski;
The Secret of Code Fortress (Tajemnica Twierdzy Szyfrow) is a World War II series that primarily takes place in southern Poland. Deep in a castle controlled by Nazis, German cryptologists have a machine that can decode Russian messages. The shocking part is that the messages are concerning America’s work on an atomic bomb. The Russians and Germans are not too far behind the Americans in developing their own bombs with the help of Russian spies stealing the American secrets. Most of the story takes place at the end of the war in 1945, but there are also flashbacks to other time periods, such as 1939, that fill us in on additional details of what is going on.
This television series from 2007 consists of 13 episodes, which are about 45 minutes each. The cast of the show is quite large, but notable chatterers include: Pawel Malaszynski as Captain Johann Jorg, Jan Frycz as SS-Obersturmbannführer Hans Jacob Globcke, Borys Szyc as SS-Untersturmführer Matheas Beer, Pawel Delag as Howard Compaign, Karolina Gruszka as Natalia, and Cezary Zak as Harry Sauer. All of their performances are remarkable, but Zak’s character and performance stands out, as his portrayal of a crazed and sadistic Nazi is terrifying.
Each episode has plenty of action and drama. As the story has a lot of spies, the story has some twists and will keep you guessing. The main groups include the Germans that control the area but are loosing power, the Russians that are encroaching on the territory, the British and Americans who are interested in finding the German secrets, and the Poles who aid the Americans and British. There is also an element of a love story as all the ladies fall for Johann Jorg. The way each episode concludes makes you want to see the next one and the suspense grows all the way to the end. I thought the series was so good that I didn’t want it to end and the final episode left me in awe.
Those with some knowledge of history may appreciate the fine details that are included in the story. For those without much history background, The Secret of Code Fortress may spark some interest in learning more it. Although I would not be qualified to give my stamp of approval on the historical accurateness of the series, we can assume a good effort was made to make it accurate as Boguslaw Woloszanski, who has his own history program, produced Tajemnica Twierdzy Szyfrow.
Crown Witness (Swiadek Koronny)
(2007) Director: Jacek Filipiak, Michal Gazda and Jaroslaw Sypniewski;
Crown Witness (Swiadek Koronny) is a suspenseful tale of a mobster telling his story to filmmakers making a crime documentary. Jan 'Blacha' Blachowski (Robert Wieckiewicz) was once an influential gangster that didn't do any of the dirty work but orchestrated it; now, he lives under police protection because he brought down many of his associates. Marcin, with his camerawoman Iwona, questions Blacha and slowly bring out the emotional story. We see how he lived and what happened to make him want to get out of the business.
There is more than one layer to the story. Although the focus is learning about our star witness, we also slowly learn about our filmmakers. Between their nonverbal communication and their short dialogues with each other we quickly get the idea there is much more to the story. Undoubtedly, what we learn about them is just as moving.
The acting in Crown Witness is great and for those who are into Polish films, it is bound to have at least a couple of your favorite. The assortment of famous Polish actors in the supporting roles includes Malgorzata Foremniak, Krzysztof Globisz, Artur Zmijewski, and Andrzej Grabowski, to name a few.
Crown Witness has some great action and drama so it will probably even keep your picky father-in-law awake. Although the movie contains shooting and violence, the story is really about people so it may even appeal to those who aren't particularly fond of action films. If you are looking for an action/suspense/mobster film, Crown Witness is for you.
Glass Lips
(2007) Director: Lech Majewski;
Glass Lips is ostensibly a Polish film but there is no dialogue. Unquestionably, I would have to say that it is one of the most unusual films I ever saw in my life. I also find it difficult to put Glass Lips into a genre because it is so unlike most movies. It is an art film or more accurately, it could be called art in the form of a film.
The story is a jumble of short clips that take place at various times and we slowly learn about the past and present. A young man is in an insane asylum and we see him imagining things that are his own creations or reminders of his past. His parents were on the strange side and passed on to their child the kind of behavior that can get one locked up in a bedlam. Although his father was not physically abusive, he had bizarre ways of punishing him that were all part of his father's past. We also see segments of his parents' personal history that is unlikely he actually witnessed. It may take some watching and re-watching to sort out what events are actual and which are imagined.
Although I am no means an expert on Lech Majewski's films, I have to say there are some similarities between Glass Lips and another film I saw by Majewski, Roe's Room. The style and feel are similar, which can simplistically be described as highly unusual and artistic. Both also use actors without much or any film credits to their name.
Glass Lips is like stepping into a world of imagination and bizarre fantasy. If you have an appreciation for visual art or theater, there is a chance Glass Lips may appeal to you but I suspect it is not a movie that most people will enjoy.
Word of Honor (Slowo Honoru)
(2007) Director: Krzysztof Zaleski;
Slowo Honoru (Word of Honor) is part of the Scena Faktu series made by Polish Television (TVP) that show dramas based on true stories. Although they are TV movies, if you have watched any of them, you would know they are exceptional stories and each one stars several famous Polish actors. Slowo Honoru premiered on television on March 19, 2007.
The heroine of this movie is Emila Malessa, who took an oath to serve her country during World War II. She became involved with the Armia Krajowa (AK or Home Army), which operated as a resistance movement in German occupied Poland. Her role in the AK consisted of couriering information to foreign countries. With the end of World War II in Poland in 1945, the Soviet run Polish government wants to root out the conspirators as they are seen as a threat because the AK sympathizes with the Polish government in exile.
Emila's problems start when she is arrested by the secret police for belonging to the Home Army. A Polish officer shows her (or feigns) respect and trys to talk her into giving up details on her activities and associates. He promisses her his word of honor that all those partisians that she offers information on will be safe and will proceed to live normal lives in the new Poland. The movie flashes between a few time periods (1940, 1945 and 1983) and we see the events in these time periods tie togther. I won't give away the ending if he keeps his word or not so you will have to see for yourself.
Slowo Honoru gives us a glimpse of history with this unforgettable story. One cannot help but reflect on how much these people went through with the war with the German occupiers and then end up with Russian occupiers taking their place. It should be no surprise that this movie was not made earlier as it doesn't paint a flattering picture of the Soviets. It took the fall of communism to give filmmakers a chance to bring us stories of what happened in the years just after the war like this one. Slowo Honoru is a great drama and one that is not to be missed.
Sztuczki (Tricks)
(2007) Director: Andrzej Jakimowski;
Sztuczki (Tricks) is a delightful movie about a pair of young siblings - a brother and sister who live with their mother in a small town in Poland. Stefek is just a kid but he is quite clever; he admires his older sister Elka who has a guy friend that drives a motorcycle. The tricks they perform are not mischievous but are small deeds that influence fate, and their results are quite magical.
We see the pair repeat their daily routines and we learn about their lives. Elka shows his brother that by intending something to happen and making a small sacrifice, the results can materialize. She does this by placing a hamburger in a bag near a trashcan and says it will find its way into the trash bin, which it does although not directly. It is amusing seeing them do such things and bribe fate.
Elka has ambitions for what she would like to achieve; she would like to learn Italian and get a job with an Italian company. Elka's guy friend has the ambition of having their friendship turn into something more. Stefek is quite interested in finding his father who walked out on them, so he spends his free time looking at the guys at the train station, comparing them to an old photo with scribble marks all over it. When he sees a man whom he thinks is his father, his greatest trick will be to influence things so he returns to his mother.
A little luck never hurts too. For those not familiar with the superstition that is well know in Poland, there is a scene where Stefek is holding his thumbs in his fists. He is doing this for luck (which is same idea as crossing one's fingers for luck).
Sztuczki is directed by Andrzej Jakimowski. I would say this movie falls somewhere between a comedy and a feel good drama. His earlier (and first) film, Zmruz Oczy, has a similar overall feeling and earned him recognition winning many awards. I would say his second film outdid his prior work. Although this movie might not appeal to those looking for a movie with violence or sex (because it doesn't show any of this), it is just right for everyone else.
Katyn
(2007) Director: Andrzej Wajda;
If the Poles didn't have it bad enough by having by having nearly the entire German army blitzkrieg it's Western border on September 1, 1939, the Soviet army then invaded from the East sixteen days later. Katyn presents a history lesson that most people never heard about: the mass murder of tens of thousands of Polish officers by the Russians in 1940. While watching this film you may wonder if the Russians mistreated Poland worse than the Germans did during World War II (which is a debate in itself).
The Germans found the massacre site in 1943 and announced it to the Poles, hoping to use it for propaganda against Russia. The Russians denied the accusation and then staged it to appear the Germans were behind the butchery. Katyn doesn't tell the story in a chronological way, but we see it unfold slowly; we see both the men at war and the women at home who love them. The wives, mothers and daughters of the Polish officers spend so much time waiting and wondering what happened to them. Even when the war ends the problems of the war do not - they spill into the decades that follow.
Andrzej Wajda is Poland's best-known director and has been making films for over fifty years. I think it is great Wajda is still making films because his recent work is opening the door to younger audiences who primarily watch contemporary movies. He has long ago established himself as being a brilliant director and Katyn reflects his years of experience and talent.
Katyn is a story that is strongly based on history and is the first film about the Soviet massacre of nearly 22,000 Polish officers. I viewed Katyn with someone who lived through this time and he confirmed that even the smallest details were right on and the way it is presented is how it was. It is a tragic story that was not allowed to be told earlier because of suppressed truth and political pressure. This movie is not just for people that like historical dramas but is one that may be of interest to everyone.
Inka 1946
(2007) Director: Natalia Koryncka-Gruz;
Inka 1946 is a powerful drama based on a true story. This film is about a young heroine that would rather die than compromise. Inka is a true patriot and this story illustrates the extent she would go for her country and friends; she stands up for what she believes in at all costs. This movie is remarkable, sad and inspirational.
The story goes back and forth between seeing what happened to Inka in 1946 and a woman interviewing people in the present time hoping to make a film about her. Inka's only crime was that she was a nurse in the army loyal to the pre-war Polish government and cared for the wounded. Her interrogators also find her guilty because she will not give up any useful information about her friends. She took an oath to her country that is now overrun by the Soviets.
What is striking and hard to miss about this story is that the villains of the piece are not the Soviets but the Communist Poles. The people true to what was Poland before WWII are now not heroes but the enemy of the new state. The torture and abuse does not come directly from foreign hands but from their own people. The Polish Communists do all they can to liquidate their Polish brothers and sisters that support the old system.
If you are interested in Polish history or just love strong dramas Inka 1946 is a great pick and one that is unforgettable. Parts of the movie are not for the feint of heart; they show the brutal force they use to break her body and the mind games they employ to try to break her spirit. What happened just after the war in Poland has not been given too much attention in film yet for obvious reasons but it is great that the dark side of the establishment of communism in Poland can finally come to light.
Hania
(2007) Director: Janusz Kaminski;
Hania is an emotional Christmastime drama about a young married couple, Ola and Wojtek. They do not have any children, mostly because Wojtek doesn't feel he is ready for them. The story takes place in Warsaw, which is given away by the couple brief shots of the Palace of Culture and Science, and shows us a world that is occasionally a bit magical.
We are held in suspense as we slowly learn about the pair. Ola (Agnieszka Grochowska) is more of a free spirit, while Wojtek is more serious and a workaholic. Obviously, the scrooge of this Christmas story is Wojtek. Things get interesting when Ola brings home a boy from the orphanage named Kacper to spend Christmas with them. Wojtek isn't too keen on the idea but becomes less reluctant when Kacper points out his lack of enthusiasm. Although Kacper is just a boy, he is good at making observations and is very insightful. Kacper helps them think about their lives and about what is important in life.
Hania is a special movie because it has messages such as things happen for a reason, deeper meaning can be found if we look for it, and life has room for growth. There is a magical element about Hania that is touching and heartwarming. Without reservation, I would have to say that Hania is a beautiful film.
Janusz Kaminski, who is the cinematographer for many of Steven Spielberg's movies and won two Oscars, directs Hania. Although not his directorial debut, Hania is Kaminski's first Polish language movie. The music to Hania is by Jan A. P. Kaczmarek, who won an Oscar for composing the music to Finding Neverland. Hania is a great movie to watch with your family on any occasion, but especially so at Christmastime.
Twists of Fate (Korowod)
(2007) Director: Jerzy Stuhr;
Reviewto be
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later
Hope (Nadzieja)
(2007) Director: Stanislaw Mucha;
Nadzieja (Hope) is a drama about being in a place where one isn't off the hook yet but has a chance to make it work out. The story opens with two brothers playing in the yard while their mother watches. Tragedy strikes and changes the course of this family's history.
Franciszek and Michal are both deeply scarred because their mother died when they were children. Michal ends up in prison for murdering two people. Franciszek seems normal enough, but has the unusual hobby of spying on this old guy named Benedykt Weber, who is an art dealer. There is a lot of mystery to the story as we are left wondering why he is spying on this guy. His family is well aware of his hobby and they do not discourage it.
Franciszek has been watching, recording, and tracking Benedykt for some time; he also records him and his thugs stealing a 15th century painting of an angel from a church. Franciszek meets Weber to let him know that he has evidence of his participation in the crime. It isn't a matter about blackmailing him, as Franciszek doesn't want money from Weber, just for the painting to return to its rightful place. The suspense turns up as Franciszek isn't going against some small time criminals, which makes his actions all the more gutsy. Both sides play a little cat and mouse with each other showing their strength. But both sides are also stuck in a place that is hard to get free from.
Nadzieja is written by Krzysztof Piesiewicz and Krzysztof Kieslowski as part of the Heaven, Hell and Purgatory trilogy. Nadzieja is the third and final part of the trillogy. I am glad at least one of them turned out to be a Polish movie. Stanislaw Mucha did a great job in making this drama come to life and I think Kieslowski would be proud of the results.
Time of Darkness (Pora Mroku)
(2008) Director: Grzegorz Kuczeriszka;
Reviewto be
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How to Live? (Jak Zyc?)
(2008) Director: Szymon Jakubowski;
Jak Zyc? (How to Live?) is a story about growing up and wanting to do what is right. When Kuba (Krzysztof Ogloza) finds out his girlfriend Ewa (Anna Cieslak) is pregnant, he reflects on life and wants to prepare to do everything he can to be a great father and provider. Kuba wants to be a responsible man but he isn't sure what is the ideal way to live. He visits his three uncles seeking their advice on what he should do. As they all have their own perspectives, each of his uncles guides him in new directions.
But life isn't simple; if it were, Kuba wouldn't have look for advice. For all Kuba does to improve himself, Ewa never seems to be pleased. He gets a better job, opens up investment accounts and even refurnishes their home but all of these include a downside that Ewa isn't pleased with. Personally, I think Ewa is a drama magnet. I found it very interesting to watch his life unfold as he explored new ways of going about life.
Men and women may interpret this movie differently. Guys may see Ewa as a woman that is nearly impossible to truly make happy. Women, on the other hand, may defend Ewa's viewpoint regardless of Kuba being a nice guy. One thing this movie does particularly well is that the story is pretty believable and most people can relate to at least part of it.
Although some may consider this film to be a romantic comedy as it does have some funny parts, I found it to be more of a coming-of-age story because it has a lot of serious drama and emotion. The acting of our leading pair is excellent so you are bound to feel some kind of reaction from watching them. Jak Zyc (2008) is Szymon Jakubowski's directorial debut.
How Much Does a Trojan Horse Weigh? (Ile Wazy Kon Trojanski?)
(2008) Director: Juliusz Machulski;
How Much Does a Trojan Horse Weigh? (Ile Wazy Kon Trojanski?) is an entertaining comedy that has a very unique type of humor. Although the trailer makes the film look pretty funny, there are much more serious moments. Yes, there are some funny parts to How Much Does a Trojan Horse Weigh?, but a greater part has psychological drama that can only be described as being a movie directed by Juliusz Machulski. If you have seen any of Machulski's films you will know what I mean.
The story is about second chances and getting another try to make a good thing even better. Zosia (Ilona Ostrowska) is celebrating her 40th birthday on New Year's Eve with her daughter and second husband Kuba. But this isn't any New Year's but year 2000, and between the paranoia and excitement there is something magical in store for Zosia. She wishes she was younger and met Kuba earlier so she could have enjoyed being with him sooner.
By some strange happening her wish comes true and she goes back twelve years in time. To her shock, Zosia finds herself in bed with her first husband, before the time she became pregnant with her daughter. She is given a chance to live these years again knowing exactly what events shaped and changes the lives of her and her friends. The down side is that she is now in the PRL (Communist Poland) and many aspects of life are backwards compared to the life she just came from.
Going through life knowing what will happen has its advantages but it also isn't easy. It is almost a game of cheating fate and is a lot more suspenseful than one might imagine. Besides the funny parts there is ample drama. Some touching moments in this film may even bring some tears to your eye.
The work of Juliusz Machulski is well known to those who enjoy Polish films. His two most famous and successful movies are Seksmisja and Kiler. If you are fan of his work or just trying it for the first time, How Much Does a Trojan Horse Weigh? will entertain you and make you wonder why it has this title while you watch it.
Unmoved Mover (Nieruchomy Poruszyciel)
(2008) Director: Lukasz Barczyk;
Nieruchomy Poruszyciel is a thriller that resembles a bad dream. Towards the beginning of the movie we see a man being punished for "having a whore of a wife" by someone called General (Jan Frycz). General is the third in command at a glass-making factory and is a control freak; he is abusive and controlling to not only his subordinates but also to his superiors. Actually, that is putting it nicely, General is a psychopath.
The next day when the husband and wife do not show up to work, General pays them a visit at home. General finds that the husband has left his wife Teresa (Marieta Zukowska) because he was humiliated the day before. This thriller takes some time to figure out what is going on. Without giving too much away, I can say that it turns out that Teresa is being sexually abused by her boss and several of his associates. It takes a little bit to figure out why Teresa is putting up with the abuse and the extent of her willingness to participate in the ordeal.
The story and the people in it are very bizarre. For a considerable time I was left wondering who in the story was stranger. The General is an obvious whack job, his cronies are not too far behind him and the woman only has a semblance of sanity on occasion. Although Nieruchomy Poruszyciel is suspenseful, its strangeness is distracting. I have to say that the movie starts to get better toward the end when things start to make more sense.
Considering the main plot of Nieruchomy Poruszyciel revolves around Teresa being raped by her coworkers, I have to say that this movie is disturbing. Unless what I have said so far sounds interesting, you probably want to pass on this one.
It's Not What You Think, Honey (To Nie Tak Jak Myslisz, Kotku)
(2008) Director: Slawomir Krynski;
It's Not What You Think, Honey (To Nie Tak Jak Myslisz, Kotku) is one of the best Polish comedies of 2008. The story is about cheating spouses but they get themselves into more trouble by lying and find themselves in very absurd predicaments. The complexity of the mess they get into makes the title, although very accurate, an understatement.
Dr Hoffman (Jan Frycz) and his wife (Katarzyna Figura) are both cheating on each other but neither one knows about the other's infidelity. Dr. Hoffman brings a nurse named Dominika (Malgorzata Buczkowska) to a conference intending to be romantic with her but tells his wife he will be in another city. His wife decides to bring her lover to a hotel but it happens to be the one the conference is really at. As luck would have it their rooms are in the same hallway.
Things are also complicated because Mrs. Hoffman's lover is being trailed by a private investigator and Dr. Hoffman's assistant, Jakub Bazyl, is expecting his fiancee and her father to show up. To cover up Dr. Hoffman's affair Bazyl lies about who Dominika is but one lie leads to another until the lies grow out of hand and tangle. The web of lies that they create would make any spider envious.
Overall, I think It's Not What You Think, Honey has a good story but actors' interactions are what make it great. I might be going out on a limb but I think this is a film that would even make Stanislaw Bareja proud. I would say it resembles the type of movie that made Bareja famous but by no means is it a copycat. This screwball comedy is an all around fun movie and should make all except for the true stoics laugh.
Ladies (Lejdis)
(2008) Director: Tomasz Konecki;
Reviewto be
posted
later
And a Warm Heart (Serce na Dloni)
(2008) Director: Krzysztof Zanussi;
Serce na Dloni (And a Warm Heart) is about two men with very different situations. One is a wealthy gangster named Konstanty (Bogdan Stupka). He has everything money can buy but has problems with his heart, which is something that can't be bought. The other is Stefan, a young man who is physically healthy but he doesn't want to live because he doesn't see the point of going on. They are quite opposites and strange fate has it that their meeting is in the best interest of both of them.
This film is a drama with a balance of details that come together nicely. Stefan is pretty dejected when his girlfriend goes to Ireland, perhaps for good. He is a kind person but is poor. So in self-defeat Stefan decides to try suicide and doesn't have much luck at it. Konstanty has his goons try to help Stefan kill himself, but they don't tell him it is because they need his heart for a transplant. As you can imagine, there is a lot opportunity for humor here, which adds to making this movie enjoyable.
Of all of Krysztof Zanussi's movies, Serce na Dloni is one of my favorite. It is an uplifting story as the underlying messages concern second chances and having a change of heart. Serce na Dloni has a cast of very well know actors that also includes Krzysztof Kowalewski and Borys Szyc. Doda, the popular singer, makes a cameo in which she sings a song. The great story and acting is enhanced by its captivating music, which is by my favorite composer Wojciech Kilar. Serce na Dloni is one of my favorite Polish films of 2008 because it is fun and draws you in with its great story.
The Offsiders (Boisko Bezdomnych)
(2008) Director: Kasia Adamik;
Reviewto be
posted
much later
33 Scenes From Life (33 Sceny z Zycia)
(2008) Director: Malgorzata Szumowska;
Reviewto be
posted
later
0_1_0 (Zero_Jeden_Zero)
(2008) Director: Piotr Lazarkiewicz;
Reviewto be
posted
someday
Drowsiness (Sennosc)
(2008) Director: Magdalena Piekorz;
Reviewto be
posted
later
Four Nights with Anna (Cztery noce z Anna)
(2008) Director: Jerzy Skolimowski;
Reviewto be
posted
somday
SCRATCH (RYSA)
(2008) Director: Michal Rosa;
Reviewto be
posted
someday
Mr. Kuka's Advice (Lekcje Pana Kuki)
(2008) Director: Dariusz Gajewski;
Reviewto be
posted
someday
Splinters (Drzazgi)
(2008) Director: Maciej Pieprzyca;
Reviewto be
posted
someday
General Nil
(2009) Director: Ryszard Bugajski;
Reviewto be
posted
someday
The Perfect Guy for My Girlfriend (Idealny Facet Dla Mojej Dziewczyny)
(2009) Director: Tomasz Konecki;
The Perfect Guy for My Girlfriend (Idealny Facet Dla Mojej Dziewczyny) is a satirical comedy that pits the Left versus the Right or more precisely a lesbian feminist group versus a Catholic radio program. Without a doubt these two groups are at odds and this comedy pokes fun at both sides equally. I am sure there is a chance that people who are series members of either of these groups may take offence at something in the film but the rest of us may find it entertaining. Although the basic plot of this movie is a love story I wouldn't call this a romantic comedy and if it is, it really doesn't feel like one.
When Kostek gets in the wrong taxicab and sees Luna, it is love at first sight. But Luna already has a girlfriend named Klara Rojek and is a lesbian so Kostek has more than a few things that are in his way of ever being with her. Kostek does whatever it takes to talk to Luna and tries to get her attention, including trying out for a porn movie Klara's feminist group is making. After some lengthily casting, Klara concludes that Kostek is the ideal guy for Luna to star in the film with. Idealny Facet Dla Mojej Dziewczyny breaks some taboos but for a movie that is about making porn, there is actually very little nudity in it.
Of course the story is more complicated. Klara Rojek happens to be the leader of a feminist institute and Kostek's uncle happens to be a priest and the head of a popular radio program. There is a good amount of conflict between these two groups but ironically everyone is just a couple degrees away from knowing everyone else in the story. In the middle is a man who has a TV show; both sides want him to give them publicity on his show and both have blackmail material on him so he is more than willing to help them.
The acting is great all around but a couple of my favorites are the actors that have been around for a while. Krzysztof Globisz plays the role of Professor Katzowna, a woman who is revered by the Polish feminist group. Daniel Olbrychski has a relatively small role as Dr. Gebauer, who adds a little mystery to the film as we try to figure out who he really is.
Idealny Facet Dla Mojej Dziewczyny is directed by Tomasz Konecki, who has become very popular with his recent films Lejdis (2008) and Testosteron (2007). Although I like his other films I have to say that Idealny Facet Dla Mojej Dziewczyny is my favorite. Overall, Idealny Facet Dla Mojej Dziewczyny is a fun movie with some good humor and touches of drama.
Love and Dance (Kochaj I Tancz)
(2009) Director: Bruce Parramore;
Reviewto be
posted
someday
The Secret Agent (Tajny Wspolpracownik)
(2009) Director: Krzysztof Lang;
Reviewto be
posted
later
God's Little Village (U Pana Boga Za Miedza)
(2009) Director: Jacek Bromski;
U Pana Boga Za Miedza (God's Little Village) is the third installment of Jacek Bromski's popular comedy about a priest in a small town called King's Bridge. This film is made more than a decade after the original, U Pana Boga za Piecem (1998). I would have never foreseen that it would turn into a trilogy but we are fortunate it did, as they are great movies.
Gods Little Village keeps in line with the other two films in that there are new people in town and the priest helps them fit in. This time the new comer is actually a man who lived in King's Bridge over twenty years ago but went to America. Stas returns to his roots, the house his family lived in, and the hope that he can find a decent woman in Poland. There are a few subplots that all fit together nicely. There is also an election for mayor and it turns into quite a fuss for the whole town.
The priest (Krzysztof Dzierma) is funny as usual. He is wise and like a Shepard to his people in town, always offering to help in counsel and support. King's Bridge has a charm and beauty to it and is a place I would love to live. But it isn't just the town itself but the people in it like the priest that makes it so special.
U Pana Boga Za Miedza, as the other two parts, is not a religious film per se but has a few religious people in it. It is a great comedy and you are not going to be disappointed if you like the earlier parts. And just because one of the main characters is a priest doesn't mean there isn't a little brief nudity, this is a Polish movie after all.
Sweet Rush (Tatarak)
(2009) Director: Andrzej Wajda;
Tatarak (Sweet Rush) is a story that has two levels and is presented in a way that is very unusual. There is the short story based on Jaroslaw Iwaszkiewicz's work and there is a personal monologue by Krystyna Janda that mirrors it. I would say Tatarak is even unusual compared to Andrzej Wajda's other work, but not entirely as his film Everything for Sale (1969) is also a memorial that blends actuality with fiction.
The title of the movie gives us an idea of what the movie is about and where it will take us. Tatarak (Sweet Rush) is a plant that grows along rivers that can smell fragrant when rubbed between one's fingers but like death when the reeds are crushed.
Mrs. Marta (Krystyna Janda) lives in a small town somewhere in Poland. Her husband is a doctor (Jan Englert) who keeps himself busy with his work but she never complains. Their two sons passed away in the war and there is an element of sadness still in them because of that. Living in a town where everyone knows each other by name, Mrs. Marta befriends a young man who is younger than her sons would have been. Their meetings give her a new energy but their time together is short and ends unexpectadly.
Janda's monologue gives us insight into her life, which also has parallels with some parts of the story. Her story is tragically sad but also gripping. Considering that Krystyna Janda's acting debut was in Wajda's Man of Marbel (1977), it is fitting that over twenty years later they work together again on such a personally meaningful film. Tatarak is dedicated to Krystyna Janda's late husband, Edward Klosinski, who was the cinematographer for Man of marble and dozens of other Polish films.
Sex Change (Zamiana)
(2009) Director: Konrad Aksinowicz;
Zamiana (Sex Change) is a movie about changes in both the role of the sexes and, quite literally, changes in sex parts. This fictional President of Poland enjoys high popularity until his world changes very suddenly. This macho guy enjoys 90% popularity and is a womanizer. His troubles explode when his flirtation with his blonde assistant leads to an affair with her. The President's assistant is actually an insidious troublemaker that gets her kicks from making problems for other people and seems to have some powers of black magick. And as we all know, change isn't always a good thing.
To compound matters, his wife decides to run for president against him, putting more than some tension on the family. The changes go beyond that as he starts to become a feminized man, both figuratively and literally. Likewise, his wife starts to act and dress like a man. Armageddon is just down the road in a world where men want to act like women and women want to act like men, while the younger generation is left neglected. Their daughter seems to have more sense than both of them as she tries to break the spell they are under.
Zamiana is not a serious movie, not in the least -- it is actually quite outlandish. The supernatural side to the story gives it an odd feeling and brings us to very ridiculous places. And some of those places are places where we didn't want to go to. Zamiana has dramatic orchestra music that one would expect in the Star Wars soundtracks, which works well at times and yet, seems out of place the rest of the time. Zamiana is Konrad Aksinowicz's directorial debut. While the film pulls the viewer in several directions, the battle of the sexes Zamiana presents has a few humorous moments, but I don't expect it to win many awards.
Snow White and Russian Red (Wojna Polsko-Ruska)
(2009) Director: Xawery Zulawski;
Reviewto be
posted
someday
Polish films in the following years: 1940-1949, 1950-1959, 1960-1969, 1970-1979, 1980-1989, 1990-1999, 2000-2009.
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